Curry Chandler

Curry Chandler is a writer, researcher, and independent scholar working in the field of communication and media studies. His writing on media theory and policy has been published in the popular press as well as academic journals. Curry approaches the study of communication from a distinctly critical perspective, and with a commitment to addressing inequality in power relations. The scope of his research activity includes media ecology, political economy, and the critique of ideology.

Curry is a graduate student in the Communication Department at the University of Pittsburgh, having previously earned degrees from Pepperdine University and the University of Central Florida.

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Sick of Serial Killing: The Virulence of Hate in a Time of Contagion

The following reflections were originally written several years ago for a graduate seminar. I’ve decided to share these thoughts here because they seem highly resonant with the current moment. For one thing, the essay links metaphors of contagious disease with activist rhetoric deployed against public apathy and racialized violence. These connections take on a renewed relevance in the context of the massive ongoing demonstrations against police violence which are occurring amidst the COVD-19 global pandemic. Secondly, the brief essay develops the connection between virulence and hate by thinking through the polemical rhetoric of Larry Kramer’s AIDS activism. This provides another confluence with current events in light of Kramer’s death two weeks ago on May 27th.

Larry Kramer’s association with AIDS activism stems not only from the duration and determination of his involvement, but also from his impassioned rhetorical style. Erin Rand identifies Kramer’s style as polemical, and identifies four rhetorical features unique to the polemical form: alienating expressions of emotion, non-contingent assertions of truth, presumptions of shared morality, and the constitution of enemies, audiences, and publics (p. 301). Rand distinguishes Kramer’s polemical style from other uses of anger in rhetoric or public address in that Kramer does not “attempt to elicit anger from the audience, unite the audience through their shared sense of anger, or move them to action based on emotion; rather, Kramer performs his own anger at what he perceives to be the audience’s failure to behave in the way that he desires” (p. 302).

Rand cites as characteristic of Kramer’s polemics the building through a succession of factual statements that culminate in “a climactic display of fury and frustration” (p. 302).

“Hence, polemics refute dominant ideologies and modes of thinking by rejecting the primacy of reason and invoking explicitly moral claims. In polemics a moral position is not simply advanced through rhetoric, but morality actually does rhetorical work.” (p. 305)           

Similarly, West considered the function of emotion in productions of the Kramer-penned play The Normal Heart:

“To realize a future different from the past, the producers had to take steps to motivate their audiences to translate their emotions into action once they had left the show. If the play was merely cathartic and enjoyed as a terrible chapter of history, then surely they had failed.” (p.100)

“Through the explicit targeting of younger audiences and distributing Kramer’s plea for help, the producers enabled rage, anger, and outrage.” (p. 101)

Feminist writer and activist Audre Lorde also saw anger as potentially productive. According to Olson: “Lorde distinguished between anger and hatred, and she salvaged the former as potentially useful and generative” (p. 287). Lorde’s distinction between anger and hatred is developed in a quote from her remarks: “Hatred is the fury of those who do not share our goals, and its object is death and destruction. Anger is a grief of distortions between peers, and its object is change” (p. 298).

In a quote from her “The Uses of Anger,” Lorde uses the metaphor of the virus to describe hatred:

“We are working in a context of oppression and threat, the cause of which is certainly not the angers which lie between us, but rather that virulent hatred leveled against all women, people of Color, lesbians and gay men, poor people - against all of us who are seeking to examine the particulars of our lives as we resist our oppressions, moving toward coalition and effective action.” (emphasis added)

Other authors have connected hatred with disease. This thematic link is made, for example, in Spike Lee’s film Do the Right Thing. While the film’s characters never state the distinction between anger and hatred as explicitly as Lorde does, the film makes many associations that establish a difference between the two. The action of the film takes place in a roughly 24 hour period, during the hottest day of the summer in Brooklyn, New York. The temperature is referenced throughout the film, and the link between the heat and character’s emotions is made early on. Anger is associated with heat: characters talk about “getting hot” as a euphemism for getting angry. By extension then, the hottest day of the summer could also be understood as the angriest.

Hatred, on the other hand, is continually linked with sickness and disease. Early in the film, when pizzeria owner Sal arrives with his two sons to start business for the day, his son Pino says of the pizza shop:

“I detest this place like a sickness.”

Sal admonishes his son, saying: “That sounds like hatred.”

This connection returns at the end of film, again in front of Sal’s Famous Pizzeria, which at this point has been reduced to a smoldering shell. Mookie seeks Sal out to ask for the wages he is due from the previous week’s labor. Angrily, Sal throws $500 in $100 bills at Mookie, twice as much as he is owed. Mookie leaves $200 on the ground, telling Sal that he only wants what he has earned. There is a stalemate as the two men stare off, the $200 between them, and each of them waiting for the other to pick it up. Apparently not understanding why Mookie would leave the money lying on the ground Sal asks him:

“Are you sick?”

Mookie: “I’m hot as a motherfucker; I’m alright, though.”

Mookie’s response here should not be understood merely as a comment about the weather. Yes, he is hot because of the summer heat, but the associations presented by the film make clear the deeper meaning of this exchange. Mookie is angry, angry as a motherfucker; having endured the ordeal of the hottest day of the summer, culminating in his throwing a trashcan through a shop window, and now he finds himself the following day with his various responsibilities still in place, but now without a source of income. But he does not hate Sal. He is not infected by hatred. He is not sick.

If the film associates hatred with sickness and disease, how does it relate or portray love? The radio DJ character, Mister Senor Love Daddy, seems like an obvious connection. Another important component is the name of Senor Love Daddy’s radio station: We Love Radio 108 (“Last on your dial, first in your heart.”). The name of the radio station not only presages Clear Channel Communications’ eventual rebranding to I Heart Radio, it also establishes a connection between love and another of the film’s characters: Radio Raheem.

Radio Raheem is arguably the character most closely associated with the concepts of love and hate. Raheem has custom brass knuckles on each hand: the word “LOVE” on his right hand, and the word “HATE” on his left. Through the presence of these words on his knuckles, and his performance of the accompanying story about the struggle between love and hate, “the story of life,” Radio Raheem recalls Reverend Harry Powell from the 1955 film Night of the Hunter. Reverend Powell has the words “love” and “hate” tattooed on his knuckles: love on the right hand, and hate on the left. He also tells “the story of life,” which, although using different language than Raheem, tells essentially the same account of a struggle between hate and love, where hate has the upper hand for a while but is eventually beat out by love.

In Night of the Hunter, Reverend Powell’s performance of pious geniality conceals a dark secret: he is a serial killer, traveling the country seducing widows whom he soon murders before absconding with what wealth he can steal. In Do the Right Thing, Radio Raheem is not revealed to be a serial killer, but he is done in by a sort of serial killing: the recurring killing of men of color perpetrated by police officers. The characters of the film react to Raheem’s death in a personal way (“They killed Radio Raheem!”), but it is clearly also a reaction to this serial killing of black men that contributes to the crowd’s reaction (someone is heard exclaiming, “They did it again!”). The rage at serial killing is evident also in Larry Kramer’s AIDS activism, as seen in his essay “1,112 and Counting,” and his exhortations to audience members at his plays that their inaction was responsible for the real life deaths of the characters portrayed.

A final question: Is Do the Right Thing a polemic? I find it interesting to consider the question in light of the definitions offered by this week’s featured authors. Rand traces the meaning of “polemic” to the Greek polemikos, meaning “warlike,” and when Lee’s film was released many reviewers and commentators were concerned that it amounted to a call for violence. I am not sure the film satisfies Rand’s four elements of rhetorical form, but I do believe it satisfies the rhetorical move that Olson calls shifting subjectivities:

“An advocate articulates a shift in the second persona of an address, wherein the auditors or readers occupy one kind of role initially and then, drawing on what is remembered or learned from that position, are repositioned subsequently into a different role that is harder for them to recognize or occupy, but that might possess some transforming power.” (p. 284)

As film critic Roger Ebert recounted in an essay about the film:

“Many audiences are shocked that the destruction of Sal's begins with a trash can thrown through the window by Mookie (Lee), the employee Sal refers to as ‘like a son to me.’ Mookie is a character we're meant to like. Lee says he has been asked many times over the years if Mookie did the right thing. Then he observes: ‘Not one person of color has ever asked me that question.’ But the movie in any event is not just about how the cops kill a black man and a mob burns down a pizzeria. That would be too simple, and this is not a simplistic film. It covers a day in the life of a Brooklyn street, so that we get to know the neighbors, and see by what small steps the tragedy is approached.”

Some critics and audience members objected to what they interpreted as Lee’s call for violence, and at least an implicit approval of property destruction. We heard similar rhetoric in the last year, when protests in response to the deaths of Michael Brown and Eric Garner became characterized by media emphasis on incidents of property damage and looting. The state response to protests is always characterized by a tolerance so long as demonstrations are peaceful and “civil,” and when this line is broached it functions to demonize and dismiss the “protestors” at large. Is this not evocative of the white woman who purportedly said to Audre Lorde, “Tell me how you feel, but don’t say it too harshly or I cannot hear you”? 

References

West, Isaac. "Reviving Rage." Quarterly Journal of Speech 98, no. 1 (2012): 97-102.

Olson, Lester C. "Anger Among Allies: Audre Lorde's 1981 Keynote Admonishing the National Women's Studies Association." Quarterly Journal of Speech 97, no. 3 (2011): 283-308.

Rand, Erin J. "An inflammatory fag and a queer form: Larry Kramer, polemics, and rhetorical agency." Quarterly Journal of Speech 94, no. 3 (2008): 297-319.

Google settles over privacy violations, Social media segregation, the era of big data, and more...

  • Google is reportedly reaching a settlement with the Federal Trade Commission over an incident in which the Internet search giant violated an agreement with the FTC by tracking Safari users' data. From the Associated Press:

Google is poised to pay a $22.5 million fine to resolve allegations that it broke a privacy promise by secretly tracking millions of Web surfers who rely on Apple's Safari browser, according to a person familiar with settlement.

If approved by the FTC's five commissioners, the $22.5 million penalty would be the largest the agency has ever imposed on a single company.

  • Adrianna Jeffries at BetaBeat covers a BBC report on how users of specific web sites break down along racial demographics. The article misleadingly refers to "segregation" in social media, but the information and analysis by danah boyd is interesting:

Pinterest is 70 percent female and 79 percent white, according to the BBC. By contrast, black and Latino users are overrepresented on Twitter versus the general population.

Ms. Boyd theorized that there was an exodus of users from Myspace to Facebook similar to white flight to the suburbs when the U.S. desegregated schools. Facebook, the vanilla of social media sites, was approaching the makeup of the U.S. population at the time of an analysis done in 2009. That was the year that white users stopped being overrepresented and black and Latino users stopped being underrepresented.

Among companies of more than 1,000 employees in 15 out of the economy's 17 sectors, the average amount of data is a surreal 235 terabytes. That's right -- each of these companies has more info than the Library of Congress. And so, why should we care? Because data is valuable. The growth of digital networks and the networked sensors in everything from phones to cars to heavy machinery mean that data has a reach and sweep it has never had before. The key to Big Data is connecting these sensors to computing intelligence which can make sense of all this information (in pure Wall-E style, some theorists call this the Internet of Things).

  • This short post at Kethu.org presents survey data and rhetorically wonders whether social media behaviors negatively impact life enjoyment:

Consider this: 24% of respondents to one survey said they’ve missed out on enjoying special moments in person because — ironically enough — they were too busy trying to document their experiences for online sharing. Many of us have had to remind ourselves to “live in the now” — instead of worry about composing the perfect tweet or angling for just the right Instagram shot.

I’m coming to believe that classroom time is too limiting in the teaching of tools. At CUNY, we’ve seen over the years that students come in with widening gulfs in both their prior experience and their future ambitions in tools and technologies. My colleagues at CUNY, led by Sandeep Junnarkar, have implemented many new modules and courses to teach such topics as data journalism (gathering, analysis, visualization) and familiarity with programming.

Note well that I have argued since coming to CUNY that we should not and cannot turn out coders. I also do not subscribe to the belief that journalism’s salvation lies in hunting down that elusive unicorn, the coder-journalism, the hack-squared. I do believe that journalists must become conversant in technologies, sufficient to enable them to (a) know what’s possible, (b) specify what they want, and (c) work with the experts who can create that.

in medias res: bridging the "time sap" gap, DIY politics, Google thinks you're stupid, and more

  • When researchers started using the term "digital divide" in the 1990s they were referring to an inequality of access to the Internet and other ICTs. Over time the issue shifted from unequal access to emphasizing disparities of technological competency across socioeconomic sectors. The new manifestation of the digital divide, according to a New York Times article, is reflected in whether time on the Internet is spent being productive, or wasting time:

As access to devices has spread, children in poorer families are spending considerably more time than children from more well-off families using their television and gadgets to watch shows and videos, play games and connect on social networking sites, studies show.

The new divide is such a cause of concern for the Federal Communications Commission that it is considering a proposal to spend $200 million to create a digital literacy corps. This group of hundreds, even thousands, of trainers would fan out to schools and libraries to teach productive uses of computers for parents, students and job seekers.

A study published in 2010 by the Kaiser Family Foundation found that children and teenagers whose parents do not have a college degree spent 90 minutes more per day exposed to media than children from higher socioeconomic families. In 1999, the difference was just 16 minutes.

  • In an op-ed for the LA Times Neal Gabler writes that Obama's legacy may be disillusionment with partisan politics and a shift toward do-it-yourself democracy:

Disillusionment with partisan politics is certainly nothing new. Obama's fall from grace, however, may look like a bigger belly flop because his young supporters saw him standing so much higher than typical politicians. Yet by dashing their hopes, Obama may actually have accomplished something so remarkable that it could turn out to be his legacy: He has redirected young people's energies away from conventional electoral politics and into a different, grass-roots kind of activism. Call it DIY politics.

We got a taste of DIY politics last fall with the Occupy Wall Street sit-ins, which were a reaction to government inaction on financial abuses, and we got another taste when the 99% Spring campaign mobilized tens of thousands against economic inequality. OWS and its tangential offshoots may seem political, but it is important to note that OWS emphatically isn't politics as usual. It isn't even a traditional movement.

  • In a piece on The Daily Beast Andrew Blum, author of a new net-centric book titled The Tubes: A Journey to the Center of the Internet, details the condescension and furtiveness he encountered while researching Google for his book:

Walking past a large data center building, painted yellow like a penitentiary, I asked what went on inside. Did this building contain the computers that crawl through the Web for the search index? Did it process search queries? Did it store email? “You mean what The Dalles does?” my guide responded. “That’s not something that we probably discuss. But I’m sure that data is available internally.” (I bet.) It was a scripted non-answer, however awkwardly expressed. And it might have been excusable, if the contrast weren’t so stark with the dozens of other pieces of the Internet that I visited. Google was the outlier—not only for being the most secretive but the most disingenuous about that secrecy.

After my tour of Google’s parking lot, I joined a hand-picked group of Googlers for lunch in their cafeteria overlooking the Columbia River. The conversation consisted of a PR handler prompting each of them to say a few words about how much they liked living in The Dalles and working at Google. (It was some consolation that they were treated like children, too.) I considered expressing my frustration at the kabuki going on, but I decided it wasn’t their choice. It was bigger than them. Eventually, emboldened by my peanut-butter cups, I said only that I was disappointed not to have the opportunity to go inside a data center and learn more. My PR handler’s response was immediate: “Senators and governors have been disappointed too!”

When news reports focus on individuals and their stories, rather than simply facts or policy, readers experience greater feelings of compassion, said Penn State Distinguished Professor Mary Beth Oliver, co-director of the Media Effects Research Laboratory and a member of the Department of Film-Video and Media Studies. This compassion also extends to feelings about social groups in general, including groups that are often stigmatized.

"Issues such as health care, poverty and discrimination all should elicit compassion," Oliver said. "But presenting these issues as personalized stories more effectively evokes emotions that lead to greater caring, willingness to help and interest in obtaining more information."

The emphasis on "personalized stories" reminds me of Zillmann's exemplification theory, though the article makes no mention of exemplification.

The problem with living through a revolution is that you've no idea how things will turn out. So it is with the revolutionary transformation of our communications environment driven by the internet and mobile phone technology. Strangely, our problem is not that we are short of data about what's going on; on the contrary we are awash with the stuff. This is what led Manuel Castells, the great scholar of cyberspace, to describe our current mental state as one of "informed bewilderment": we have lots of information, but not much of a clue about what it means.

If, however, you're concerned about things such as freedom, control and innovation, then the prospect of a world in which most people access the internet via smartphones and other cloud devices is a troubling one. Why? Because smartphones (and tablets) are tightly controlled, "tethered" appliances. You may think that you own your shiny new iPhone or iPad, for example. But in fact an invisible chain stretches from it all the way back to Apple's corporate HQ in California. Nothing, but nothing, goes on your iDevice that hasn't been approved by Apple.

In Medias Res: Chomsky Occupied, lolcats invade aca-meme-ia, the intention economy and more...

  • Microsoft is opening a research lab in New York City staffed by A-list sociologists, computational scientists, and network theorists among others.

The NYC lab recruits bring in mathematical and computation tools that could work magic with existing social media research already underway at Microsoft Research, led by folks like Gen-fluxer danah boyd. "I would say that the highly simplified version of what happens is that data scientists do patterns and ethnographers tell stories," boyd tells Fast Company. While Microsoft Research New England has strengths in qualitative social science, empirical economics, machine learning, and mathematics, "We’ve long noted the need for data science types who can bridge between us," boyd explained in a blog post announcing the NYC labs.

So the world is now indeed splitting into a plutonomy and a precariat — in the imagery of the Occupy movement, the 1 percent and the 99 percent. Not literal numbers, but the right picture. Now, the plutonomy is where the action is and it could continue like this.

If it does, the historic reversal that began in the 1970s could become irreversible. That’s where we’re heading. And the Occupy movement is the first real, major, popular reaction that could avert this. But it’s going to be necessary to face the fact that it’s a long, hard struggle. You don’t win victories tomorrow. You have to form the structures that will be sustained, that will go on through hard times and can win major victories. And there are a lot of things that can be done.

  • An article at the Atlantic poses the question: Are LOLCats making us smart? The article quotes Kate Miltner who wrote her dissertation on LOLCat memes:

According to Miltner, "When it came to LOLCats, sharing and creating were often different means to the same end: making meaningful connections with others." At their core LOLCats weren't about those funny captions, the weird grammar, or the cute kitties, but people employed those qualities in service of that primary goal of human connection.

A newer idea outgrowth of this is that information is so omnipresent and that consumers face so much of it that businesses are now in a completely different economy model fighting to get people’s attention. This Attentioneconomy has new rules based on how much time people are willing to spend paying attention to some piece of information and to their hopes the advertisements that may surround it. New tools are emerging to analyze not just what is talked about but also sentiment, audience demographics, and how quickly it spreads.

To push efficiency, the better way would be to be able the craft the message more accurately to specific people, not just a demographic: to me personally, not just to ‘people who live in that part of the city’. How would that be possible? It starts with trying to understand the intention of what people want, rather than trying to just grab their attention as they walk away. If we knew, or better yet, if the consumer each told us what they wanted and we could craft the message for each person as well as target exactly who would be interested, then the efficiency of that message suddenly shoots way up. It hinges on that dialogue with the consumer.

Scott Merrill at Tech Crunch also covered Searl's book:

Another substantial topic of the book is just how incorrect most of the information collected about us actually is. And still this factually wrong data is used to select which advertisements are presented to you, in the hope that you’ll click through. Aside from how intrusive advertising is, is it any surprise that click-through rates are so low when the data used to target ads to viewers is so wildly off-base?

Searls also advocates strongly for Vendor Relationship Management (VRM) solutions to give to consumers the same kind of tracking and information collection about vendors that the vendors use against us. The point of VRM is not adversarial, according to Searls. Instead, it restores balance to the overall market and seeks to actively reward those companies that pay attention to individual intentions.

In medias res: end-of-the-semester reading list

Due to end-of-the-semester activities posting has been slow the last couple of weeks. But my exams are finished and I've submitted grades so here's a celebratory news roundup:

In an interview published Sunday, Google’s co-founder cited a wide range of attacks on “the open internet,” including government censorship and interception of data, overzealous attempts to protect intellectual property, and new communication portals that use web technologies and the internet, but under restrictive corporate control.

There are “very powerful forces that have lined up against the open internet on all sides and around the world,” says Brin. “I thought there was no way to put the genie back in the bottle, but now it seems in certain areas the genie has been put back in the bottle."

The post-social world is an “attention economy.” If you don’t have engagement, you don’t have attention and if you don’t have attention – well you don’t have anything really.

In the 1970s, the scholar Herbert Simon argued that "in an information-rich world, the wealth of information means a dearth of something else: a scarcity of whatever it is that information consumes. What information consumes is rather obvious: it consumes the attention of its recipients."

His arguments give rise both to the notion of "information overload" but also to the "attention economy". In the attention economy, people's willingness to distribute their attention to various information stimuli create value for said stimuli. Indeed, the economic importance of advertisements is predicated on the notion that getting people to pay attention to something has value.

If one wanted to track three trends likely to have the most impact on international relations over the next decade, what three trends could help us anticipate global political crises? At the top of my news feed are items about who is in jail and why, rigged elections, and social media.

School shootings and domestic terrorism have proliferated on a global level. In recent months there have been school shootings in Finland, Germany, Greece, and other countries as well as the United States. Although there may be stylistic differences, in all cases young men act out their rage through the use of guns and violence to create media spectacles and become celebrities-of-the-moment.

Class dismissed, have a great summer!

Neal Gabler on 50 years of Boorstin's "The Image"

Neal Gabler has written a piece for the Los Angeles Times to commemorate the 50th anniversary of the publication of Daniel Boorstin's "The Image: A Guide to Pseudo-events in America".

What is impressive even now about "The Image" is its sweep. There is nothing timid about it. It is epic social history in which Boorstin hoped to provide a unified field theory of cultural decline. Where he led, almost every serious observer of popular culture has followed, from French philosopher Jean Baudrillard to American social critic Neil Postman, to the point where today almost everyone acknowledges what Boorstin so persuasively presented: the emptiness of much of our culture. Whether we share his anger or not, we all know we live in a world of images, a world where everything seems planned for effect rather than substance, and Boorstin no doubt would have had a field day dissecting "reality" shows that have nothing to do with reality beyond the description. They are practically designed to the specifications of Boorstin's thesis.

Tupac Shakur hologram 'performs' at Coachella

During Snoop Dogg's performance at the Coachella music festival this weekend dead rap icon Tupac Shakur was "resurrected" to appear on stage as a projected image that is being called a hologram. Check out the video below. [youtube http://www.youtube.com/watch?v=8L73tGfOam4&w=560&h=315]

The effect was created by San Diego-based AV Concepts. From a press release:

Over 100,000 fans witnessed the “return of Tupac” as a Hologram performing on stage with hip-hop music legends Dr. Dre and Snoop Dogg, thanks to the combination of advanced projection technology and creative expertise available only from AV Concepts. The production followed months of collaborative planning between Dr. Dre’s production company and AV Concepts’ creative and technical experts to design and engineer the special effect.

TMZ reports that Shakur's mother was "thrilled" with the hologram.

Natt Garun at Digital Trends wonders if resurrection dead musicians via this sort of technology will become a trend.

With a lot of Tupac fans still around to support the late rapper, we wonder if hologram concerts will be the next big thing to keep music alive even when the artists have passed? Considering how realistic the hologram looked, we wouldn’t be surprised to see a hologram concert of The Beatles with the still very alive Paul McCartney leading the show. Who do you think could be next to get revived for a musical performance?

Anime characters created through similar technology have already been performing in Japan.

[youtube http://www.youtube.com/watch?v=VGZ3xWfxd1A&w=560&h=315]

Last year Mariah Carey performed five concerts simultaneously via projection technology.

Appearing to the audience as if she was live in concert for the first 10 minutes of the show, her hologram form then exploded into the sky, revealing the surprise, before she reformed to lead all the countries in a moving rendition of the traditional carol ‘Silent Night’, then finishing with the all-time favourite ‘All I want for Christmas is You’.

In medias res: Semiology of Batman, economics of attention, hypodermic needles, magic bullets and more

So I've decided to headline these posts with interesting (to me) media-related content from around the web "In medias res". Not very original, I know, but "in the middle of things" seems appropriate.

Following the semiotics goals I defined earlier, we will explore the complex network of sign language of AAA games, comic books, the Batman universe and related pop-culture, we will explore the narrative themes behind it all and we will examine how Rocksteady implemented said sign language using semiotic principles.

Schiller elaborates on the ways in which, "Corporate speech has become the dominant discourse...While the corporate voice booms across the land, individual expression, at best, trickles through tiny constricted public circuits. This has allowed the effective right to free speech to be transferred from individuals to billion dollar companies which, in effect, monopolize public communication (pg. 45)." Privatization, deregulation and the expansion of market relationships are cited by Schiller as the environment in which the national information infrastructure has been eroded (pg. 46).

  • Tomi Ahonen, apparently the person who declared mobile technology the 7th mass medium (who knew?), has declared augmented reality the 8th mass media. The list of media, in order of appearance:

1st mass media PRINT - from 1400s (books, pamphlets, newspapers, magazines, billboards)

2nd mass media RECORDINGS - from 1890s (records, tapes, cartridges, videocassettes, CDs, DVDs)

3rd mass media CINEMA - from 1900s

4th mass media RADIO - from 1920s

5th mass media TELEVISION - from 1940s

6th mass media INTERNET - from 1992

7th mass media MOBILE - from 1998

8th mass media AUGMENTED REALITY - from 2010

The return to the “magic bullet” theory has led many Arab and Western media scholars to focus on the study of the role of social media in developing popular movements. Little or no attention is paid to folk and traditional communication outlets such as Friday sermons, coffeehouse storytellers (“hakawati”), and mourning gatherings of women (“subhieh”). These face-to-face folk communication vehicles play an important role in developing the Arab public sphere as well as in introducing change.

And this piece about a new sex-advice show on MTV mentions the "hypodermic needle" theory:

When you talk about "young viewers" as helpless victims who are targeted by a message and instantly fall prey to it, you are positing a pre-World-War-II era mass communications theory known as the hypodermic model.

This model saw mass media as a giant hypodermic needle that "injected" messages into our brains. And no brains were more susceptible to the injections than those of children.

Media Coverage: Turkle talk, more Debord, learning to code and more...

  • A couple of weeks back I linked to the Guardian's discussion of Debord's Society of the Spectacle, and I just came across another article from their site that I had overlooked: "What Debord can teach us about protest":

The danger with this reading – the spectacle as a retroactive name for the social alienation of modern media culture – is that it turns Debord into a prophet who simply confirms everything we already know and further cements its inevitability. In other words, it is to make The Society of the Spectacle into precisely the kind of spectacle that Debord warns us of in thesis five, where he insists that the spectacle is not a simple product of mass media, but "a weltanschauung that has been actualised, translated into the material realm – a world view transformed into an objective force".

The author, Meghan Sutherland, comments on the diminishing funding for humanities departments in her discussion of resistance to the spectacle:

It will also require that we redouble our efforts to challenge the systematic elimination of philosophy departments and humanities funding from university programmes all over the world – a project of austerity economics that deems the study of ideas simultaneously elitist, irrelevant to the "real" world and without market value. For as Debord makes clear, when we allow the pleasures of living and acting to become severed from the pleasures of thinking and looking, The Society of the Spectacle can mean only one thing. And it will do so until we learn to reconnect them.

  • An Atlantic article by Scott Meslow titled "Boys can love 'Titanic,' too" quotes an older interview with media effects researcher Mary Beth Oliver discussing sex differences in responses to sad film:

"There are certain arenas where male crying is deemed appropriate, like the loss of a favorite sporting team, the death of a parent, or war," said Mary Beth Oliver, a media professor at Penn State, in 2010 interview with the BBC about the tear-jerking effects of a different film. "For many men, there is a great deal of pressure to avoid expression of 'female' emotions like sadness and fear. From a very young age, males are taught that it is inappropriate to cry, and these lessons are often accompanied by a great deal of ridicule when the lessons aren't followed."

Every generation uses the technology of its time as a metaphor to better understand itself, and in the zeitgeist-examining docu-essay "Welcome to the Machine," director Avi Zev Weider ponders the degree to which man's present and future are dominated by his inventions. Philosophically speaking, it's fascinating stuff, though film hardly seems the most conducive way for Weider to present his arguments, with an overreliance on baby photos and the failure to deliver a key interview making the whole inquiry feel smaller than it is.

  • Co. Create published an interview with Douglas Rushkoff in advance of an upcoming keynote address in NYC. His comments on the function of the artist echo McLuhan:

I think the artist, even more than government, has become the one who is doing long-term thinking about what’s happening, what are the implications, what are we doing to ourselves? And they’re some of the only ones, really. An artist’s job is to sit outside what’s happening and reflect back to us where the human is in this. I think it’s a very valuable exercise. It’s just the opposite exercise of what most people probably think it is. It’s not for technologists to realize the visions of artists. It feels much more like it’s for artists to contextualize the visions of technologists.

  • One of my goals for summer 2012 is to learn a programming language. Multiple factors motivated this decision, one of them being Rushkoff's articles on coding and his recent book "Program or be programmed". Turns out I wasn't the only one: I learned about web site Codeacademy from a post by Juliet Waters titled "My code year, so far":

I was hooked by the headline of an article by Douglas Rushkoff on CNN.com. “Learn to Code, Get a Job!”  Coding, he argued, was a skill that not enough people had,  and companies were paying big money to find people who were “code literate.”

Media matters: Alone Together @ TED, fear in the attention economy, Chomsky tweets and more

[youtube http://www.youtube.com/watch?v=t7Xr3AsBEK4&w=560&h=315]

  • I recently came across this Salon article by UMD doctoral student Nathan Jurgenson from last year where he argues that Noam Chomsky is wrong about Twitter. Both Chomsky's and the author's statements about new media forms are extremely interesting from a medium theory perspective. Jurgenson cites the role of social media in the Arab Spring protests as evidence that new media aren't as shallow and superficial as Chomsky believes:

In fact, in the debate about whether rapid and social media really are inherently less deep than other media, there are compelling arguments for and against. Yes, any individual tweet might be superficial, but a stream of tweets from a political confrontation like Tahrir Square, a war zone like Gaza or a list of carefully-selected thinkers makes for a collection of expression that is anything but shallow. Social media is like radio: It all depends on how you tune it.

In responding to calls, emails, texts, social media, etc, our electronic devices play to a primitive impulse to react to immediate threats and dangers.  Our responding to that call, email or social media post provokes excitement and stimulates the release of dopamine to the brain.  Little by little, we become addicted to its small kick in regular, minute doses.  In its absence, people feel bored.

Society of the spectacles: Varying views on Google's goggles

This week Google released a video depicting what it might be like to wear their augmented reality glasses, known as Project Glass: [youtube http://www.youtube.com/watch?v=9c6W4CCU9M4&w=560&h=315]

A bloke named Tom Scott released his own vision of what the Google goggle experience might be like, envisioning technologically-enhanced ways of getting injured:

[youtube http://www.youtube.com/watch?v=t3TAOYXT840&w=560&h=315]

Youtuber rebelliouspixels remixed the original Google video to depict the Google goggle experience with the ADdition of Google adverts:

[youtube http://www.youtube.com/watch?v=_mRF0rBXIeg&w=560&h=315]

Via a link on Metafilter I came across this delightful video posted a year ago on vimeo by Keiichi Matsuda. Titled Augmented (hyper)Reality: Domestic Robocop the video is a fantastic POV depiction of a possible experience with augmented reality eyewear.

More coverage of Project Glass and its AI elements from CNet:

For the most part, the augmented-reality glasses do what a person could do with a smartphone, such as look up information and socialize. But the demo also shows glimpses of an artificial-intelligence (AI) system working behind the scenes. It's the AI system that could make mobile devices, including wearable computers, far more powerful and take on more complex tasks, according to an expert.

Media news roundup: Frenemies, Facebook and fat

  • The Chronicle of Higher Education covered the "EnemyGraph," a Facebook app created by Dean Terry (director of the emerging-media program at UT Dallas) and grad student Bradley Griffith. The EnemyGraph lets users declare people and things to be their Facebook enemies as opposed to Facebook friends.

"What we all do in the program is help our students think critically about social media," he says, noting that that is the main goal of EnemyGraph. "On Facebook you're the product—it's commoditized expression," he argues, and he wants students and others to recognize that. "I'm not telling students not to use it, I'm just telling them to understand what's happening when they use it."

It's a really cool project, and I especially like the critical studies approach underlying the app. The article boosted my interest in learning some computer programming as there are obviously really salient applications for media studies. My favorite tid bit in the article was the fact that Facebook has officially banned app developers from using the word "dislike"....the obvious implication is that companies and advertisers are happy to have users "Like" their product, but not to allow users to indicate their disapproval. Read the full article here.

  • Fox News published a story detailing a new study that suggests negative self-talk can lead to increased depression...shocking. Basically the researchers found that people who call themselves fat will have higher chance of depression and lower level of satisfaction with their body. The only reason I mention this study here is because the researchers specifically mentioned that their results contradict what has been found in media effects studies.

Arroyo said the researchers found the latter finding interesting because it contradicts published media effects research, which shows exposure to messages in the media can affect individuals' body image. "Interpersonally, however, this is not happening," Arroyo said. "It is the act of engaging in fat talk, rather than passively being exposed to it, that has these negative effects," she said.

Manuel Castells receives Holberg prize

Manuel Castells, University Professor and Wallis Annenberg Chair in Communication Technology and Society at USC and the foremost cited communication scholar in the world, was recently awarded the 2012 Holberg International Memorial Prize, a Norwegian honor that "recognizes outstanding scholarly work in arts and humanities, social science, law and theology." I'm lagging behind much of the communication world in familiarizing myself with Castell's work. He first blipped on my radar at the ICA conference in Boston last May, where every panel I attended save one mentioned Castells. This weekend I started reading Philip Howard's Castells and the Media.

From the PRNewswire article:

Castells, who holds the Wallis Annenberg Chair of Communication Technology and Society at the USC Annenberg School for Communication and Journalism, is the most cited communication scholar in the world, and was recognized by the Holberg Prize Academic Committee as "the leading sociologist of the city and new information and media technologies."

"His ideas and writings have shaped our understanding of the political dynamics of urban and global economies in the network society. He has illuminated the underlying power structures of the great technological revolutions of our time and their consequences," the prize committee said of Castells.

 

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